Very Early Saarinen Womb
A very early example of the original Womb Chair by Eero Saarinen, designed in 1948. This chair dates from the early 1950’s.Upholstered in Red wool (excellent condition).Rare black steel frame with brass tips and reinforced fibreglass shell.
Details CREATOR: Eero Saarinen (Designer)Knoll Associates Inc. (Manufacturer)
OF THE PERIOD: Modern
PLACE OF ORIGIN: United States
DATE OF MANUFACTURE: circa 1950
PERIOD: 1950-1959
MATERIALS AND TECHNIQUES: Metal, Wool
WEAR: Wear consistent with age and use
CONDITION: Excellent. Upholstered very very good condition.Legs show minor signs of wear as commensurate with age and use.
DIMENSION: S37 in. H x 39.5 in. W x 34 in. D94 cm H x 100 cm W x 86 cm D
About Eero Saarinen (Designer):Through his work as an architect and designer, Eero Saarinen was a prime mover in the introduction of modernism into the American mainstream. Particularly affecting were the organic, curvilinear forms seen in Saarinen’s furniture and his best-known structures: the gull-winged TWA Flight Center at John F. Kennedy airport in New York (opened 1962), Dulles International Airport in Virginia (1962) and the Gateway Arch in St. Louis, Missouri (1965).
Saarinen had a peerless modernist pedigree. His father, Eliel Saarinen, was an eminent Finnish architect who in 1932 became the first head of the Cranbrook Academy of Art in suburban Detroit. The school became synonymous with progressive design and decorative arts in the United States, and while studying there the younger Saarinen met and befriended several luminaries of mid-century modernism, among them Harry Bertoia, and Charles and Ray Eames.
At Cranbrook, Saarinen also met Florence Schust Knoll, who, as director of her husband Hans Knoll’s eponymous furniture company, would put Saarinen’s best designs into production. These include the “Grasshopper” chair, designed in 1946 and so named because its angled bentwood frame resembles the insect; the “Tulip” chair (1958), a flower-shaped fiberglass shell mounted on a cast-aluminum pedestal; and the lushly contoured “Womb” lounge chair and ottoman (1948). In his furniture as in his architecture, the keynotes of Eero Saarinen’s designs are simplicity, strength and grace.
Links:
https://www.1stdibs.com/furniture/seating/armchairs/very-early-saarinen-womb-chair-ottoman-knoll/id-f_1143684/
https://www.1stdibs.com/furniture/seating/lounge-chairs/saarinen-knoll-womb-chair-ottoman/id-f_1901332/
https://www.1stdibs.com/furniture/seating/lounge-chairs/pair-of-womb-chairs-eero-saarinen-knoll/id-f_8737523/