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The foundation of this record is a set of ambient works composed by Cezary Ostrowski. Ostrowski’s sonic experimentation pushes boundaries and unfolds new sonic territories for his collaborators.

THGC demonstrates the breadth of Ostrowski’s interests, from abstract ambient to groove-oriented, jazz-tinged experiments.

Fortuna’s trumpet lines and treatments splinter out, with throbs and arcing lines overlapping. The trumpet takes on a drone-like texture, providing bedding for passages, augmented by piano from Dys. Things build up into organic pulses. By the end it’s like a mystery movie soundtrack.

The trio moves from whining, through pitch-shifted shards, through phasers, through insectoid flutters, to deliver something really unique.